Wednesday, March 30

.: Maidens' song

"Give beauty back, beauty, beauty, beauty, back to God, beauty's self and beauty's giver" The Poem Elizabeth Taylor Chose to Be Read at Her Funeral

Brilliant is the only word for this smashing demonstration of the power of the English language.
Richard Burton races through this Hopkins poem with unbelievable speed.

A technical tour de force. See if you can keep up with him by reading silently along. Most will fade....

The Leaden Echo And The Golden Echo
(Maidens' song from St. Winefred's Well)

THE LEADEN ECHO
How to keep--is there any any, is there none such, nowhere known some, bow or brooch or braid or brace, lace, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, beauty, . . . from vanishing away?
O is there no frowning of these wrinkles, ranked wrinkles deep,
Down? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No there's none, there's none, O no there's none,
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age's evils, hoar hair,
Ruck and wrinkle, drooping, dying, death's worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O there's none; no no no there's none:
Be beginning to despair, to despair,
Despair, despair, despair, despair.

THE GOLDEN ECHO
Spare!
There is one, yes I have one (Hush there!);
Only not within seeing of the sun,
Not within the singeing of the strong sun,
Tall sun's tingeing, or treacherous the tainting of the earth's air.
Somewhere elsewhere there is ah well where! one,
One. Yes I can tell such a key, I do know such a place,
Where whatever's prized and passes of us, everything that's fresh and fast flying of us, seems to us sweet of us and swiftly away with, done away with, undone,
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matched face,
The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,
Never fleets more, fastened with the tenderest truth
To its own best being and its loveliness of youth: it is an ever-lastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant, girlgrace--
Resign them, sign them, seal them, send them, motion them with breath,
And with sighs soaring, soaring sighs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty's self and beauty's giver.
See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then why should we tread? O why are we so haggard at the heart, so care-coiled, care-killed, so fagged, so fashed, so cogged, so cumbered,
When the thing we freely forfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept. Where kept? Do but tell us where kept, where.--
Yonder.--What high as that! We follow, now we follow.--
Yonder, yes yonder, yonder,
Yonder.

American Digest 

.: La mano del desierto

(the hand of the desert) is not actually abandoned as most of the things you can find in this blog...It's a piece of art, and it's hard to tell if a piece of art is ever abandoned.

The artist behind it is the Chilean sculptor Mario Irarrázabal. the hand was constructed at an altitude of 1,100 meters above sea level. The work has a base of iron and cement, and stands 11 meters tall. The sculpture was inaugurated on March 28, 1992.



Just because...





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